Two Row Diatonic Accordions (English Melodeon, Vienna Accordion)

The 21 button, 2 row melodeon is the most commonly played in many countries accross the world, here in England we mainly play the D/G system, but in France G/C and A/D are preferred and in Germany C/F is the preferred key. The main point to bear in mind is that these instruments are identical in build to the Irish (chromatic) system but are vastly different to play.

The only main difference between keyboard types apart from the key is whether the instrument has accidental buttons on the two buttons nearest the chin or whether it has low notes in the standard melodeon scale. Certain instruments have 23 buttons to extend the scale.

21 BUTTON TWO ROW MELODEON LAYOUTS

D/G with accidentals
D/G with low notes
C/F with accidentals
C/F with low notes
G/C with accidentals
G/C with low notes
A/D with accidentals
A/D with low notes
F/Bb with accidentals
F/Bb with low notes
Bb/Eb with accidentals
Bb/Eb with low notes

Other keys are very rare (e.g. Eb/Ab, B/E, F#/B, C#/F# G#/C# and E/A) they follow the same pattern and can be transposed from the layouts above

23 BUTTON TWO ROW MELODEON LAYOUTS

Only D/G layouts but can be transposed to any key

D/G 23 buttons with accidentals and low notes
D/G 23 buttons with extended low scale

TRIKITIXA (Basque Country Melodeon) LAYOUTS

A system of 2 row melodeon with 12 unisonoric basses (i.e. the bass buttons play the same note on the push and pull). Another peculiarity is that these instruments have 4 accidentals instead of 2. Usually tuned in C/F and with a musette sound - I have transposed it to D/G as well.

D/G Trikitixa
C/F Trikitixa

IRISH STYLE (chromatic) 2 ROW BUTTON ACCORDION

As I said, although these look identical to diatonic melodeons, they are tuned a semitone between the rows (B/C, C/C# etc) rather than the fifth you get on melodeons. It is technicalloy possiblt to play a chromatic two- row in any key but some are easier than others. The main difference between the layouts is to do with the bass configurations which vary - many B/C players do not use the basses.

B/C 21 buttons traditional basses
B/C 21 buttons modern bass layout
B/C 21 buttons old Hohner layout (this layout is now obsolete)
B/C 23 buttons traditional basses
B/C 23 buttons modern bass layout
C#D 21 buttons traditional basses
C#D 21 buttons modern bass layout
C/C# 21 buttons old Hohner layout (The main layout found for CC#)

 All pages and diagrams in this section are by John Spiers